Post-colonialism and Political Satire in South Africa

Metatheatre in Femi Osofisan’s Morountodun

Self-reflexive Identity in Wole Soyinka's Death and the King's Horseman: A Metadramatic Approach

Race, Gender, and identity in Selected Plays by Adrienne Kennedy and Sonia Sanchez through the Lens of Black Feminism, BlackArts Movement, and the theatre of the Avant‒garde

Forms of Intersectionality: Drama and Metadrama in Yussef El Guindi's Jihad Jones and the Kalashnikov Babes

Ecodrama and a Flawed Social Contract in August Wilson’s Two Trains Running

A Study of Youssef Al-Qaeed's Days of Mourning within the Context of the Zeitroman Genre

Frustrated Brotherhood and a Need for Solidarity in Suzan Lori-Parks’ Topdog/Underdog

THE ENGLISH WELL MADE PLAY AS A DSAMATIC GENRE

Brechtian Epic Theatre Techniques: A Comparative Study of Alfred Farag’s Sulayman’s al- Halabi and Iakovos Kampanellis’ our Grand Circus