The Melting Pot or the Salad Bowl?:A Bhabhian Reading of Yussef El Guindi's Pilgrims Musa and Sheri in the New World

Intermediality in Yussef El Guindi’s “Language Rooms” (2010)

Hybrid Identities/Hybrid Music: The Political Aesthetics of Arab Youth Musical Performances in Diaspora

Homogeneity and Hybridity in Selected Plays by Betty Shamieh and Diana Son

The Immigrant Experience in Yussef El Guindi’s Pilgrims Musa and Sheri in the New World

Identities at Odds: Dramatic Syncretism and Indigenous Identity Representation

Navigating Integration and Alienation in Migration: A Reading of Leila Aboulela’s “The Museum” (1999)

Escaping the Inescapable: Cognitive Dissonance in Ayad Akhtar’s Disgraced (2012)

Hybridity vs. Anti-Colonialism: The Quest for a Postcolonial Utopia in Al-Ḥakīm’s “In Year One Million” and A Journey to Tomorrow

Staging the Hyphen and Reframing Urban Reality in Site-Specific Performances: Miriam Schickler’s Echoing Yafa and the Complex Palestinian Geopolitical Context