Forms of Intersectionality: Drama and Metadrama in Yussef El Guindi's Jihad Jones and the Kalashnikov Babes

Cultural Identity as an Epistemic Construct: Ali’s The Domestic Crusaders and Akhtar’s The Who & the What

Escaping the Inescapable: Cognitive Dissonance in Ayad Akhtar’s Disgraced (2012)

Race, Gender, and identity in Selected Plays by Adrienne Kennedy and Sonia Sanchez through the Lens of Black Feminism, BlackArts Movement, and the theatre of the Avant‒garde

Muslim Women Empowerment in Leila Aboulela’s The Translator and Minaret

Hybrid Mimic Identities in Hanif Kureishi's My Beautiful Laundrette and The Budha of Suburbia

They’re Just Like Everybody Else: A Postcolonial Reading of Rohina Malik’s <I>Yasmina’s Necklace</I>

A Psychoanalytic Study of Yussef El Guindi’s Back of the Throat

Cultural Appropriation in Ayad Akhtar's Disgraced

The Political Impact of the September 11 Attacks as Represented in Yussef El Guindi's Back of the Throat