Forms of Intersectionality: Drama and Metadrama in Yussef El Guindi's Jihad Jones and the Kalashnikov Babes

Cultural Identity as an Epistemic Construct: Ali’s The Domestic Crusaders and Akhtar’s The Who & the What

Escaping the Inescapable: Cognitive Dissonance in Ayad Akhtar’s Disgraced (2012)

Race, Gender, and identity in Selected Plays by Adrienne Kennedy and Sonia Sanchez through the Lens of Black Feminism, BlackArts Movement, and the theatre of the Avant‒garde

Hybrid Mimic Identities in Hanif Kureishi's My Beautiful Laundrette and The Budha of Suburbia

Muslim Women Empowerment in Leila Aboulela’s The Translator and Minaret

They’re Just Like Everybody Else: A Postcolonial Reading of Rohina Malik’s <I>Yasmina’s Necklace</I>

Cultural Appropriation in Ayad Akhtar's Disgraced

In The Name Of Allah, The Compassionate, The Merciful Image Of The Hero:: A Bildungsroman Interpretation Of M.A.. Yamani’s Novel

Representation of the Other in A Thousand Splendid Suns by Khaled Hosseini from a New Orientalist Perspective