We’re Not Weak: Portraying Arab Women’s Power in Betty Shamieh’s The Black Eyed & Roar

Trauma and the Palestinian Experience in Betty Shamieh’s The Black Eyed (2005)

Unanswered Questions / Unquestioned Answers : Trauma and the Palestinian Experience in Betty Shamieh's The Black Eyed (2005)

Race, Gender, and identity in Selected Plays by Adrienne Kennedy and Sonia Sanchez through the Lens of Black Feminism, BlackArts Movement, and the theatre of the Avant‒garde

Black Feminism in a Twentieth-Century British Play

Homogeneity and Hybridity in Selected Plays by Betty Shamieh and Diana Son

Staging Black Woman’s Self-empowerment and Black Feminism

Betty Shamieh’s Play The Black Eyed Treating Violence through Four Different Ages

Forms of Intersectionality: Drama and Metadrama in Yussef El Guindi's Jihad Jones and the Kalashnikov Babes

When the Subaltern Speaks: Race and Gender in Selected Works by ZadieSmith and LeilaAboulela