Finding a Third Space: A Postcolonial Comparative study of Verdecchia’s Fronteras Americanas and Fugard’s Sizwe Basnsi is Dead

Resurrecting the Past to Find the True African American Identity: Gem of the Ocean by August Wilson

Carnivalesque Border-Crossings: The Fluidity of Identity in Marie Jones’ <i>A Night in November</i>

The Subaltern Can Speak: Revisiting Spivak’s Concept in the Case of Death and the King’s Horseman and Joe Turner's Come and Gone

Revolutionary Violence Vs. Passive Resistance: Liberation Strategies in Amiri Baraka’s The Slave and August Wilson’s Joe Turner’s Come and Gone

When Place Becomes Home: Refugees and Border Space in Joe Murphy and Joe Robertson’s The Jungle (2017)

"إعادة بناء الهوية الأمريکية الأفريقية: قراءة عبر الثقافات لأوکتافيا بتلر کيندريد (1979) وکولسون وايتهيد للکاتب الحدسي (1999)"

(De)hyphenated Identity and Carnivalesque Polyphony: A Bakhtinian Reading of Hybridity and Female Characters in Zadie Smith's White Teeth and Maxine Hong Kingston's The Woman Warrior

Stuart Hall's Three Conceptions of Cultural Identity in Bessie Head's When Rain Clouds Gather (1968) and Nadine Gordimer's The Pick Up (2001)

The Power of Female Figures in Joe Turner’s Come and Gone and Two Trains Running by August Wilson