The Conflict between Secularism and Islam in Ayad Akhtar's Disgraced

Escaping the Inescapable: Cognitive Dissonance in Ayad Akhtar’s Disgraced (2012)

Cultural Identity as an Epistemic Construct: Ali’s The Domestic Crusaders and Akhtar’s The Who & the What

Identities at Odds: Dramatic Syncretism and Indigenous Identity Representation

Hybrid Mimic Identities in Hanif Kureishi's My Beautiful Laundrette and The Budha of Suburbia

Race, Gender, and identity in Selected Plays by Adrienne Kennedy and Sonia Sanchez through the Lens of Black Feminism, BlackArts Movement, and the theatre of the Avant‒garde