(Conflicting Mythical Forces in Tennessee Williams A Streetcar Named Desire (1947

The Concept of the Southern Lady in Tennessee Williams' The Glass Menagerie (1945)

Masculinity as an Indication of Power and Dominance in A Streetcar Named Desire by Tennessee Williams: A Pragma-Stylistic Approach

Light as a symbol of the plights of Tennessee Williams, Heroines

A Psychedelic Reading of Judith Thompson’s Lion in the Street

Myth Appropriation in Brian Friel's play: Living Quarters

"La présentation des personnages légendaires dans le mythe d'Œdipe roi selon la vision des auteurs arabes Tawfiq AL.Hakim, Ali Ahmed Bakathir et Taha Hussein"

When a Play is not a Drama? A Postdramatic Study of Simon Stephens’ Carmen Disruption

Dramatizing Hegemony and Counter-hegemony in Brian Friel's The Freedom of the City and Saad al-Din Wahba's Al-Sibinsa: A Comparative Study

The Dominant Structures of the Times: Late Victorian Tragedy as Critique of Romantic Ideology