The Visual Identity of Cairo as the Capital City of Egypt (An Experimental Study of Suggested Design Samples)

CONTEMPORARY FORMULATIONS OF PORTRAIT ART TO CONFIRM THE EGYPTIAN IDENTITY IN THE FIELD OF CERAMIC SCULPTURE (APPLIED RESEARCH)

OBJECTIVITY AS AN EXPERIMENTAL APPROACH TO CONTEMPORARY EGYPTIAN PAINTING (AMANY FAHMY AS EXAMPLE)

THE SYMBOL AS AN EXPRESSIVE EQUIVALENT IN THE EGYPTIAN PAINTER MAMDOUH AMMAR PAINTINGS

Egyptian national identity in The Art work of graphic artists

ENVIRONMENTAL ARTISTS IN EGYPT: PERSPECTIVES AND EXPERIENCES REFLECTING THE RELATIONSHIP BETWEEN ART AND THE ENVIRONMENT

THE DIGITAL PRINTED ARTWORK BETWEEN EXPRESSION IDENTITY AND TECHNIQUE ISSUE FOR SOME GRAPHIC ARTISTS IN EGYPT AND ABROAD

Egyptian art and identity between heritage and contemporary An analytical study of the models of the ancient Egyptian visual and creative arts Through the plastic elements of ani

EXPRESSIONISM OF EGYPTIAN WOMEN IN THE FIELD OF CONTEMPORARY CERAMIC FORMATION

ANALYTICAL STUDY OF TWO WALL PAINTINGS FROM KOM OSHIEM EXCAVATION (EL-FAYOUM- EGYPT).