(De)hyphenated Identity and Carnivalesque Polyphony: A Bakhtinian Reading of Hybridity and Female Characters in Zadie Smith's White Teeth and Maxine Hong Kingston's The Woman Warr - Egyptian Knowledge Bank

154238

(De)hyphenated Identity and Carnivalesque Polyphony: A Bakhtinian Reading of Hybridity and Female Characters in Zadie Smith's White Teeth and Maxine Hong Kingston's The Woman Warr

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Last updated: 05 Jan 2025

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DOI

10.21608/bfalex.2010.154238

Authors

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First Name

ايمان

Last Name

المليجي

MiddleName

Affiliation

دمنهور

Email

City

Orcid

Volume

Article Issue

Related Issue

23263

Issue Date

2010-07-01

Receive Date

2021-03-06

Publish Date

2010-07-01

Page Start

Page End

Print ISSN

1110-2128

Online ISSN

2735-4652

Article File

BFALEX_Volume 60_Issue 62_Pages 1-41.pdf

PDF . 180.1kB

Link

https://bfalex.journals.ekb.eg/article_154238.html

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https://bfalex.journals.ekb.eg/service?article_code=154238

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Publication Title

مجلة کلية الآداب . جامعة الإسکندرية

Publication Link

https://bfalex.journals.ekb.eg/

MainTitle

(De)hyphenated Identity and Carnivalesque Polyphony: A Bakhtinian Reading of Hybridity and Female Characters in Zadie Smith's White Teeth and Maxine Hong Kingston's The Woman Warrior

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Type