Staging the Male earch for Identity

Metatheatre in Femi Osofisan’s Morountodun

Postdramatic Performance and Audience Participation in Thomton Wilder’s Selected Plays

Re-reading Character Archetypes in Luis Valdez's Mummified Deer

The Stage Language Of Maria Irene Fornes

Metadrama and the Deconstruction of Stereotypes: David Henry Hwang's M. Butterfly and Bondage

<I>In the Blood</I>: A Contemporary American Common (Wo)man Tragedy

Staging Body Politics in Tomson Highway’s The Rez Sisters (1986) and Brian Friel’s Dancing At Lughnasa (1990)

Upsurges of Metatheatrical Dramaturgy in Heather Raffo’s 9 Parts of Desire

Cultural Encounters on Stage