(Conflicting Mythical Forces in Tennessee Williams A Streetcar Named Desire (1947

مسرح الخيال العلمي في مصر (1950 - 1990): تحليل وظائف

Sam Shepard's The God of Hell An Ecocritical Reading of a play Essentially Political

Race, Gender, and identity in Selected Plays by Adrienne Kennedy and Sonia Sanchez through the Lens of Black Feminism, BlackArts Movement, and the theatre of the Avant‒garde

Frustrated Brotherhood and a Need for Solidarity in Suzan Lori-Parks’ Topdog/Underdog

The Concept of the Southern Lady in Tennessee Williams' The Glass Menagerie (1945)

ذات من النص الروائي إلي العرض السينمائي

جدلية الفضاء الدرامي .. بين التكوين والتخييل قراءة سيميائية لمسرحية "جريمة في جزيرة الماعز"

المسرح العربي و محاولات التأصيل

Dramatizing Hegemony and Counter-hegemony in Brian Friel's The Freedom of the City and Saad al-Din Wahba's Al-Sibinsa: A Comparative Study