ArticleHumanizing Artificial Bodies: Empathy and Camaraderie in Kazuo Ishiguro’s Never Let Me Go (2005) and Klara and the Sun (2021)
ArticleHumanizing Artificial Bodies: Empathy and Camaraderie in Kazuo Ishiguro’s Never Let Me Go (2005) and Klara and the Sun (2021)
ArticleTestimony and Memory Narrative of Traumatic Events as A Way to Survive in Amy Tan’s The Joy Luck Club
ArticleTestimony and Memory Narrative of Traumatic Events as A Way to Survive in Amy Tan’s The Joy Luck Club
ArticleKazuo Ishiguro's Never Let Me Go and Jeanette Winterson’s The Stone Gods: A Post-Humanist Reading كازوو إيشيغورو "لا تدعني أذهب أبدًا" و جانette Winterson "آلهة الحجر": قراءة ما
ArticleKazuo Ishiguro's Never Let Me Go and Jeanette Winterson’s The Stone Gods: A Post-Humanist Reading كازوو إيشيغورو "لا تدعني أذهب أبدًا" و جانette Winterson "آلهة الحجر": قراءة ما
ArticleVoice and Mood in Kazuo Ishiguro'sThe Remains of the Day and Never Let Me Go: A Narratological Approach
ArticleVoice and Mood in Kazuo Ishiguro'sThe Remains of the Day and Never Let Me Go: A Narratological Approach
Article“The past goes to sleep, and wakes up inside you”: Identity Crisis in Hassan Blasimʼs “The Nightmares of Carlos Fuentes”
Article“The past goes to sleep, and wakes up inside you”: Identity Crisis in Hassan Blasimʼs “The Nightmares of Carlos Fuentes”
ArticleEmbodied Echoes: A Neurophenomenological Exploration of Trauma and Memory in Viet Thanh Nguyen's The Sympathizer
ArticleEmbodied Echoes: A Neurophenomenological Exploration of Trauma and Memory in Viet Thanh Nguyen's The Sympathizer