Capitalism Destroys the American Social life in Wendy Wasserstein's Old Money الرأسمالية تحطم الحياة الإجتماعية فى مسرحية المال القديم للكاتبة وندى وازرستين

Eco-Political Identity in David Edgar's Continental Divide: Mothers Against and Daughters of the Revolution

Deconstructing Character and Identity In Martin Crimp's Attempts on Her Life

Essentialism in Mais Al-othman’s Tho’lol (A Wart): An Ecofeminist Study

Race, Gender, and identity in Selected Plays by Adrienne Kennedy and Sonia Sanchez through the Lens of Black Feminism, BlackArts Movement, and the theatre of the Avant‒garde

Challenging Hierarchical Relationships in American and Egyptian Drama: A Comparative Ecofeminist Reading in Two Representative Plays (Timberlake Wertenbaker’s The Love of the Nig

Cultural Identity as an Epistemic Construct: Ali’s The Domestic Crusaders and Akhtar’s The Who & the What

The Doubling Theory and the Second Self: Trauma in Paula Vogel's How I Learned to Drive and Margaret Edson's Wit

“The Genie Must Remain in the Bottle”: Locating the Tradition of “True” Womanhood in Colonial and Early National American Fiction

Mansoura University Faculty of Education Dept. of Foreign Languages Marsha Norman’s 'night Mother: A Postmodernist Reading