(De)hyphenated Identity and Carnivalesque Polyphony: A Bakhtinian Reading of Hybridity and Female Characters in Zadie Smith's White Teeth and Maxine Hong Kingston's The Woman Warr

Alternative Histories: Renegotiating Colonial Modernity and the Novel Form in Radwa Ἀshour’s A Part of Europe (Qit’a min Urubba, 2003)”

Re-writing the Self in Fatema Mernissi’s Memoir: Scheherazade Goes West: Different Cultures, Different Harems

“Of loss and of remembrance”: Harem as Home in Leila Ahmed’s A Border Passage

Acculturated Identities in Hanan Al-Shaykh's Only in London

Depiction of Arab Culture in Twenty-First Century English and Arabic Novels

Ahdaf Soueif's "Sandpiper": A Narrative Identity in a Liminal Space

The image of Middle East woman between Western Orientalism and Middle Eastern Art

The Struggle of Post colonialism's Transnational Nativity: Love As a Password to Cross Fictional Doors Into Centre or Periphery In Mohsin Hamid`s Exit West

(Cultural Hybridity in Ahdaf Soueif’s The Map of Love (1999