Authorship and Cultural Revisionism in Peter Carey’s JACK MAGGS with Special Reference to Dicken's Great Expectations

A Study of the Use of Satire in the Novels of Charles Dickens with Special Reference to Oliver Twist

(Re)Narrating the Self: Cross-Cultural Identity and Multivocality in Kim Scott’s That Deadman Dance (2010)

A Revisionist Approach to Patriarchal Ideas in Margret Atwood “The Penelopiad”

Belonging to People and Environments: Connecting Social Identities to Places in J. M. Barrie’s Peter and Wendy (1911) and Muhammad Farid Abu Hadid’s Karim Eldin Elbaghdady (1948)

(De)mystification of History and Myth in the Victorian Response to the Indian Rebellion With a particular reference to Sherlock Holmes's Narratives

“Reformulating” or “Reenacting”?: A study Of Two Translations of Edward Said’s Orientalism

Preface as a Paratext in Charles Dickens's <i>David Copperfield</i>: A Pragmatic Study

Further Evidence for the Notion of ‘Resistance’ in Literary Discourse

Dramatic Allusion and Referencing Literary Tradition in Jez Butterworth’s The Ferryman